Sometimes nostalgia works and sometimes it doesn't.
Hoopla, the latest album from Weird Nightmare, checks all the boxes when it comes to successful nostalgia-filled rock. This record sounds like it could have come out in 1982 — and I mean that in the best way possible! This is prime listening for fans of The Replacements, Cheap Trick, The Cars, Dinosaur Jr. or even some of the early Seattle grunge bands.
This is a tight record. It's ten songs that never faulter, and I immediately wanted to listen again once it was over. Every track seems purposeful and propels both the album and the listener forward. It's easily a contender for one of my favorite albums of the year so far, and it might be my new favorite rock record.
Now, it's important to go on a little back story conversation about Weird Nightmare. The band is the solo project of METZ singer/guitarist Alex Edkins. If you're not familiar with METZ, they sound nothing like Weird Nightmare. METZ is a noise rock band through and through, and is not very well equipped in the melodic department. But, they're very good at crafting a specific style of noise rock — and I'm a fan.
With just how melody-heavy this Weird Nightmare record is, it's a fun surprise to know that it comes from Edkins. It's also proof that you can't box in certain musicians — creativity flourishes in many ways. Weird Nightmare is under the Sub-Pop Records umbrella (same with METZ), and Hoopla has a similar vibe to some of the classic albums released by the label.
Starting Hoopla off strong is "Headful of Rain." While listening I was immediately felt the desire to transport myself to Seattle in the early '90s and then hang out with Mudhoney. The track sets the tone for the rest of the record perfectly, and if it doesn't make you want to pick up a guitar and at least pretend you know how to play, I don't know what to tell you.
Next up is lead single "Might See You There." This was my first exposure to Weird Nightmare and I immediately enjoyed it. This is like Cheap Trick for 2026. It's fun all the way around and infectious with its hooks. This is a strong contender for best song on the album, but with so much to like that's a tough decision to make.
Another easy standout on the record is "Never in Style." The intro guitar gives The Smiths vibes, but after the first five seconds goes right back into the established sound that Weird Nightmare has curated throughout the album. The chorus is catchy, the drums are bouncy — it's just plain fun.
Simply put, Hoopla plays like jangle pop that's been struck by lightning and visited by the ghost of rock's past — it sounds fresh and retro at the same time. The guitars are on point, the melodies are bright and hooky, and all of the songs here emote a good vibe that makes you want to keep listening.
I had a big smile on my face and a good feeling that rock music still has gas left in the tank as Hoopla came to an end and the last notes of "Where I Belong" faded out. I've got a good feeling I'll be returning to Hoopla many more times.
