Anthony Scanga
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Studio One
Julie Dawson, lead singer of the dreamy Irish alternative band NewDad, gushes over The Cure, considers a second solo album and finally reveals: What is a Roobosh?
Pre-show nachos in hand, the energetic indie foursome discuss Prima/Vera, Booster Pack and why their single “SOS” could be ‘the one.’
Bleachers' fifth album, "Everyone for Ten Minutes" is a little Springsteen combined with Jack Antonoff's own vibe, but also a bit all over the board.
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Manchester indie sleazeball Xenya Genovese, AKA Freak Slug, explains her radio habits, favorite Gallagher brother and switching from murals to music: “This is my destiny.”
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Mac Demarco brought his latest tour to Omaha, Neb on May 5. It was a whacky show to say the least.
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Kai Slater, the 21-year-old behind Chicago rock bands Lifeguard, Sharp Pins and Silver Dolls, is also a publisher. His "Hallogallo" zine, now in its 12th issue, is a love letter to doing it yourself.
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Weird Nightmare's "Hoopla" bursts with fuzzy hooks and infectious indie‑punk charm. It's a bold new sonic leap for the ex-METZ frontman, Alex Edkins.
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Friko’s "Something Worth Waiting For" has serious heart. This record is proof that Chicago has yet another band leading the indie rock charge in 2026.
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Lime Garden’s "Maybe Not Tonight" has indie charm, dance‑floor nerves, late‑night chaos and big feelings wrapped in glittery, off‑kilter pop confidence.
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Jeff Roalson and Trevor Polk of the Iowa City indie band Halfloves reflect on a decade of bandhood and their landmark self-titled album.
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Lala Lala's fifth studio album, Heaven 2, is her most electronic sound yet.
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The songs on Sam Beam’s sixth outing for Sub Pop (and eighth overall) are bound to thaw the frozen ground.
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Mitski's eighth studio album Nothing's About To Happen To Me is here. It's a love letter to cat ladies and homebodies everywhere, and one of her best albums to date.