Studio One
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Studio One
"Margaritaville" or "Islands in the Stream" these albums are not. Here's a look at the top dystopian albums — for when things get a little too Orwellian.
At the start of another season of "The Simpsons," Studio One's Tony Dehner looks back at some of the classic music moments from one of television's longest-running shows.
She opened for MF Doom, survived “Da Club” with a young 50 Cent and even greenlit the McGriddle. Veteran Chicago rapper Psalm One takes a hard look at hip-hop in her memoir, Her Word Is Bond.
Our Thoughts On...
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Santigold spoke with Studio One ahead of her set at the Hinterland festival this Saturday.
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Muse's 'Black Holes and Revelations' turns 20. Do "Knights of Cydonia" and "Supermassive Black Hole" still hold up? Does the latter still fulfill our vampire baseball dreams?
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Madonna's third studio album turns 40 on June 30. Influencing countless acts since, it proved Madonna was more than "Like a Virgin," and opened the door to experimentation.
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Julie Dawson, lead singer of the dreamy Irish alternative band NewDad, gushes over The Cure, considers a second solo album and finally reveals: What is a Roobosh?
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In honor of Father's Day, Tony Dehner set out to define the amorphous genre of music known as "Dad Rock," and almost succeeded.
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The new self-released single "Renaissance Man," from longtime friend of Studio One Elizabeth Moen, is inspired by an all-too-familiar sort of person.
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The Smiths’ "The Queen Is Dead" turns 40. Its legacy has been established as an indie rock masterpiece, and it's influenced countless acts since.
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Is there really that much of a difference between Fall Out Boy and Duran Duran?