Taking inspiration from the Riot Grrrl movement and acts like My Bloody Valentine, Softcult delivers a multifaceted debut proving them to be an act to watch.
Searows' sophomore album Death in the Business of Whaling is an expertly crafted collection of songs. The album is sure to please fans of Phoebe Bridgers, Ethel Cain or Iron & Wine.
Arctic Monkeys' debut album Whatever People Say I Am, That's What I'm Not turns 20 this week. It proved to be a critical and commercial hit for the band, establishing them as the next big thing.
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In between Broadway and an upcoming film debut, Orville Peck has released Appaloosa — a seven track EP sure to please his fanbase and continue his run as one of the more unique songwriters in country music. -
Geese seems to be everywhere right now. What is it about the Cameron Winter-led band that's resounding with audiences? -
Florence + The Machine practices more witchcraft than ever before on their sixth studio album, Everybody Scream. -
Sharon Van Etten and the Attachment Theory headlined this year’s Infinite Dream Festival in Iowa City. Studio One’s Cece Mitchell spoke with Van Etten about the musical family she’s created with her new band and her own kin. -
Radiohead's Kid A turns 25 this week. In honor of its release, we're taking a look back at an album that was ahead of its time and is eerily predictive of our current state. -
The Studio One team's first ever visit to the Quad Cities' annual Alternating Currents Festival was everything we wanted in a festival and more, despite the brutal weather. -
Willoughby Tucker, I’ll Always Love You is the second release from Ethel Cain this year, following the experimental ambient darkness of Perverts. -
Turnstile is one of the most exciting rock bands making music currently. Anticipation for their latest record, Never Enough, has been extremely high — does the band deliver? -
Arcade Fire returns with their seventh studio album. It’s a collection of electronic-leaning tracks. -
Car Seat Headrest has returned. This time Will Toledo and company bring forth an epic rock opera, including one song that's over 18 minutes long and with sonic nods to David Bowie.
